On the other side, teh Seven just do not fit my main use case: i cannot put in on my shoulders and bring it around in Paris by metro, so my NE5HP is not in danger :->. Well, that is a different story in term of sound, the basic Rhodes sound, no effect, no equalisation, on a small Roland Cube, it just blew me out of the water the dynamic, the relationship between the hand/keybed/sound is way above the Nord, in my humble and limited experience it must be said that i intentionally trained myself on the NE TP100 keybed, and the Seven have the same Fatar Keybed i am sure many people would prefer
I also tried my Nord connected to some VST Rhodes on my Mac frankly, there a few that i would prefer to play live instead of the Nord built in epianos, but i do not bring my Mac in rehersals/gigs, at least for now i have Komplete, that include a pretty good Rhodes (that i prefer over the Nord), and the Lounge Lizard and the Arturia, last two modelled i find all of them give more dynamics and in general more espressivity.Ī few days ago i tried a Crumar Seven. If i was on the market for a piano, i would put them the CP73 in my short list.īut again, i am happier with the Nord, no reason to change. There is one additional sound source available that adds Moog samples to the library. The fact that you can mix and match Omni/Trilian/Keyscape sound sources to make custom patches makes this combination a real powerhouse.
I recently tried a CP88 and a CP73 (but in a shop, not real conditions) and they seems fine, a good competition to the Nord. The Keyscape library is much more geared towards authentic, real-world instruments. I have a Nord 5 HP, and i keep it as an overall good comprimise between my different needs.Ībout the Rhodes, i recently played (in rehersal, real use conditions) on a CP4 and on a Korg SV-1, i am happier with the Nord more precisely, i like the CP4, i do not like the SV-1 (touch+sound) but i like more the Nord.
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